The cyanotype method was first invented to create replicas of mathematical tables. Later, it was used by architects and engineers to create blueprints of technical drawings. Cyanotype also bridges scientific experimentation and artistic expression. Its ability to capture details and create 1 to 1 replicas expanded its use by botanists and artists in archiving different plants and organic materials.

In this project, I hope to explore the cyanotype process’ connection with time, as it photographs and prints simultaneously and captures movement in real time. Having worked with stop-motion animation, I was intrigued by the translation between stillness and movement. Seeing how traces of time and movement are frozen and condensed into an image fascinates me. The process of creating compositions on paper, and manipulating shadows to create multiple exposures also made me reflect on the notion of perceived/subjective versus real/objective time.

By incorporating the calendar form, clock hands, and organic materials, I aim to put the different notions of time into conversation with each other. One represents a system of time-keeping as a social construct created by humans, and the other represents the flow and change of the seasons that are not within our control.